Collaboration is Key

Dr. Jessica Saunders, soprano and Dr. Minji Kwon perform She Conjures at the New Music Festival for the Iowa Composer's Forum held at UNI in Cedar Falls, Iowa.

Last weekend was a moving experience. I performed a newer piece composed by my close friend and colleague Lisa Neher. The work She Conjures, with music by Lisa Neher and libretto by Bea Goodwin, is set in 1600’s Scotland and tells the story of Grissall, a woman dealing with the aftermath of her mother's unjust execution by burning for witchcraft. The composition explores grief, injustice, loss, and also aspects of the pain inflicted specifically on women throughout history. It was challenging to perform, both technically and emotionally, but incredibly rewarding. I also had the opportunity to collaborate with another friend Minji Kwon, on the piano and the rehearsals are some of the best moments of the process because we can really connect and we both notice different aspects of the music. The performance was part of the Iowa Composer’s Forum’s annual New Music Festival, an event known for innovative compositions. The entire concert showcased the talent and dedication of everyone involved, and every piece was well-performed and enjoyable.

Post performance photo with Minji Kwon, Lisa Neher, and Jessica Saunders

After the concert, a conversation with my friend led to a reflection on a subtle difference in the way vocalists and instrumentalists approach chamber music. We noticed that instrumentalists often have a more natural collaborative dynamic, something that seems less emphasized in early vocal training. I can relate to this; as a young student, I didn't actively seek out collaborative opportunities with instrumentalists. This is a missed opportunity, as these early connections can lead to lifelong musical partnerships. There's also a misconception that singers are "inferior musicians," which can contribute to this perceived gap in collaborative initiative. This idea, though unfounded, can influence how vocal students see their role in chamber music. 

It's also worth noting that the vocal canon has a scarcity of chamber music written for more than one singer or instrument, presenting a significant opportunity for composers to fill this gap in the repertoire. This lack of repertoire is especially true for younger musicians. Therefore, I urge all aspiring vocalists, and indeed all musicians, to actively seek out and embrace every collaborative opportunity. Play music with friends, explore new repertoire with classmates, and reach out to instrumentalists whose playing you admire. These experiences not only improve your own musicianship but also contribute to a more vibrant and connected musical community.

Dr. Jessica Saunders is a co-owner and vocal instructor at Dynamic Music Studios in Coralville, Iowa.